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Sound of Music Q&A

December 6, 2013 by Andi Brunett-Libecap 2 Comments

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The Sound of Music was MORE sound and LESS music.

sound of music liveThe trending blog topic today is likely to be the same topic that was trending on Twitter last night. And NO, I’m not talking about the sad passing of Nelson Mandela, although we will hit on that a bit today as well. I’m talking about the live performance of The Sound of Music on NBC. People had a lot to say about it, however, and I don’t want to be a repetitive, echoing pin-drop in a cacophony of screaming bloggers. So I’m going to do a Q&A which I hope you enjoy!

Q: Why was everything out of order?

And some scenes were skipped altogether. That’s bullshit! WTF?

A: If you’re comparing the live production with the much-acclaimed movie starring Julie Andrews, you’re out of luck, because the movie itself was a bastardization of the ACTUAL original Broadway show. A really, really good bastardization, but still.

I’m told by snooty drama experts that the TV event harkened back to its roots. Which might have been a bad idea, since most people today, if they are aware of the story at all, only know the movie, leaving it open for much criticism. And golly! There was so much OTHER stuff to criticize, this one could have been left off the list.

Q: Why is everyone hating on this show?

carrie underwoodI love Carrie Underwood and think she did a perfectly perfect job that was perfect in its perfection.

A: Wow. With a glowing review like that, it’s clear you’re a very objective individual. {*Rolls eyes*}

You must be one of those people who will never see anything bad in something you love. Which is my polite way of saying you are an idiot.

Everyone poops, you guys. Even Carrie Underwood. Her singing? Not my taste, but damn that girl can carry a tune. I don’t dispute that she is a very talented singer. But if you can’t admit, out of misplaced, unnecessary, and bafflingly stubborn adoration, that your girl is a terrible actor, that means you think she’s perfect and has no room to grow. I’m fairly certain there is no human on the planet that has no room to grow.

Which means, if we are to be logical in all of this, that Carrie has room to grow, and thus is possessed of flaws. One of those flaws is her theater presence. IT NEEDS WORK. You don’t have to go into spasms and tell me how wrong I am. I watch a lot of movies, and I know good acting when I see it. It’s particularly glaring when it’s missing.

Q: You’re just jealous.

A: Okay, that’s actually an attack, not a question, but I’ll address it nonetheless.

The truth is, I am jealous of people. I’ve talked about this before. I’m jealous of people who have money and use it unwisely. I’m jealous of idiots who have money and then try to complain to me about how broke they are.

So yes, I am capable of jealousy.

But you know who I’m NOT jealous of? Singers. You know why? Because I can actually carry a tune quite well, and I’ve somewhat gotten over my fear of crowds, and I think I’d do just fine at karaoke in a crunch. And with a voice coach? I’m too old for American Idol, but I think with professional training, if I wanted to, I could do wonderful things.

  1. But singing isn’t my passion, so I don’t pursue it. I don’t talk to people in the business, I don’t chat with or follow any celebrities or stars. I don’t try to network and put myself out there.You know what my passion is? Writing. Writing is my passion. And I pursue it relentlessly. I talk with other writers, I follow published and renowned authors on various media platforms, I network, and I put myself out there. When you are passionate about something, and when you follow your passion, you don’t look at those have succeeded before you with jealousy. You view them as mentors and teachers. If I’m not jealous of the very people I would like to BE, you can sure as shit count on the fact that I’m not jealous of Carrie motherfucking Underwood.
  2. I like and dislike a lot of singers. No one calls me “jealous” for hating on the musical band Rush, whom I despise. And likewise, I don’t call Nickelback haters “jealous”. People who accuse others of being jealous are merely lacking in a better defense of their stance. Which is my polite way of saying you are an idiot.

Q: Why was this trending higher than the death of Nelson Mandela?

long walk to freedom nelson mandelaA: Mandela, rest his gorgeous, shiny soul, only died once. It was sad, and we are mourning him. However, after you tweet about his passing, you don’t go on and continue tweeting about it. Once is enough. More than twice would just be weird.

Conversely, The Sound of Music was a finite event that occurred for three straight hours, during which time different things happened worthy of discussion and comparison and contrast and argument. I don’t think Mandela’s sad, sad death inspires disagreement. We pretty much all agree it sucks that Mandela is gone.

Besides, just because we all tweeted other things doesn’t mean we’re sick; it just means that other shit went on today. Sorry that the other shit was popular-ish, too.

Q: I’m still stuck on the perfect perfectness of the perfect Carrie Underwood.

A: That’s great for you. Whatever. But guess what? I still hate country music. So I’m still not overly fond of Carrie Underwood.

And that is okay. We don’t have to agree on everything. You can like that shit all you want.

Q: Why was everyone hating so much on the production team?

A: Well, let me see.

First of all, the coloring was way off. I’m no expert, to be sure, but I have seen other plays, and I don’t recall anything this bad with regard to making the characters all look orange.

Secondly, the orchestra was so loud that I couldn’t hear what the characters were saying. And since I hadn’t actually seen the movie, I was really, really trying. I wanted to hear the dialogue. And I couldn’t. So that was bad. Not merely an opinion, either; audience ability to hear the characters is one of those important production things.

And speaking of sound, there was this buzzing white noise in the background the entire time, which really sucked.

Some people were hating on the sets, on the costumes, on the transitions from one location to the next, and on the wigs. None of that stuff bothered me overly much. But the color and the sound? BAD.

Q: Why can’t everyone just love this and shut up?

A: Because… it sucked. Why can’t everyone just admit this and shut up?

Following is a conversation that occurred between two friends of mine. I’ve edited for grammatical and spelling errors, but otherwise left it intact. And I’m still dumbfounded that this actually took place. The Arguer is clearly an idiot.

Girl: I feel so sorry for Carrie Underwood when she sees all the comments regarding her absolutely awful performance.

Arguer: She was not awful. You have to realize she ISN’T JULIE ANDREWS. You cannot expect her to be Julie Andrews. This was a remake and in remakes changes are made and new people are cast. It was Carrie Underwood singing song from this movie. She should not be trying to outdo Julie Andrews or trying to copy her. So, before judging her so harshly just take it as it is. A remake.

Girl: Look, I don’t dare compare her to the great Julie Andrews, because we’re just not going to go there.

Just looking at tonight’s performance as if I had never seen or known anything about The Sound of Music, I can confidently claim that Carrie Underwood did a terrible job. She sounded like she was reading and her face was like cardboard. I’m pretty certain I don’t stand alone in this.

As for the “it’s a remake” defense….golly, if you’re going to attempt to remake something as huge as this, you better go big or go home. The whole appeal was that it was something wildly (and endearingly) identifiable!! You can’t expect people to just forget that a better, WAY more successful version already exists. But if you do expect that then you better bring at least a little talent to the table.

Arguer: Well, if you like the original so much do not bother with the remake. You won’t like it. It’s that simple.

Girl: Actually, no. There have been remakes that I have totally loved after having loved the original versions.

Who would have ever dreamed of making The Music Man after Robert Preston performed the role so magnificently? Turned out the remake with Matthew Broderick was every bit as enjoyable… and it had changes and different casting.

I can enjoy a good remake if it’s done well. Good grief; you were there when we saw Les Miserables, which has been remade about a zillion times. You saw that I LOVED it.

You’re missing my problem here: I’m not dissing tonight’s Sound of Music because it’s a remake. I’m dissing it because it’s a TERRIBLE remake.

I was excited to see this show. I really was. I admittedly had my reservations, but was hopeful that it would at least not bomb as horribly as it did. I did not go into it thinking, “This movie better look exactly like the other one, or else I’m going to hate it.”

If you liked it and thought Carrie Underwood did a good job, then I’m afraid we’re at a point where we’ll just have to agree to disagree. But I promise you that I am allowed to think she stunk. It’s THAT simple.

Q: Does the Arguer in this conversation have a clear point beyond her obvious love of Carrie Underwood?

A: No. The Arguer is obviously up Carrie’s butt.  She is so far up Carrie’s butt that she can’t see objectively what is sucking right before her very eyes.

She also fails when it comes to arguing, because that shit wasn’t logical at all.

Question:

Now you get to give me the answers.

  • Did you see the live performance of The Sound of Music? What was your impression?
  • Are you up Carrie Underwood’s butt? How does it feel up there? And are you still able to see that she is a terrible actor?
  • What other “remakes” beyond those stated herein are worthy of mention?

Filed Under: Entertainment, Movies + TV, Rants Tagged With: Carrie Underwood, Julie Andrews, NBC, Nelson Mandela, Sound of Music, Sound of Music Live

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Quirky Chrissy
Quirky Chrissy 5pts

So, I watched it on Friday night after everyone slammed the shit out of this production. And I have this to say:


I didn't hate it.


I didn't love it, but I definitely didn't think it was the worst thing ever. As someone who goes to her fair share of theater shows, this one definitely had the theater thing going for it. The overacting (and sometimes "bad" acting) felt more like a theatrical show. 


I really liked the transitions, the way they moved seamlessly from scene to scene when they weren't going to commercial. 


I actually had the biggest problem with Carrie's singing, which sounded forced and like she couldn't quite get the Broadway sound out. Her country twang kept showing up and annoying the fuck out of me. 


Other than that, I wasn't incredibly moved by the story the way I was with the movie, but I think part of that was the way it felt rushed. I didn't see the love story happen..it just sort of...happened in one scene. Boom. Done.



ViolaFury
ViolaFury 5pts

Well Andi, lots here. First off, I didn't even know that there was to be a live production of "The Sound of Music". From personal experience, a live performance is always a crapshoot. I've been in orchestras in pits, and chamber orchestras, and in rock groups that have ended up on Tee Vee. Let me get the most glaring thing out of the way first. Although I love the way I play, I look fucking strange to myself! Just. . . no. At any rate, sound production and engineering is always so much easier to control IN the booth AFTER the performance. There is just no way to guarantee what the mix is going to sound like. People who have never played in either setting have no clue, so they already have their heads up their asses. I KNOW what it takes. I've played with everyone from Bobby Vinton, Johnny Mathis, to Styx, Queensryche, Alan Parsons Project and in the Tampa Opera for 12 seasons, where nothing was engineered and everything was live. We even set Mimi on fire during "La Boheme," by Puccini. She was supposed to die of TB, but I think the orchestra was rebellious that year. Just kidding.


As to pitch. I have perfect pitch. Playing a non-fretted instrument and having to take vocal lessons and piano lessons as part of my major (a complete waste of good time spent with my viola) I sing pretty damn well. You do too; as I've heard you. I've played with so-called "celebrities" who couldn't find the pitch with both hands and a flashlight. One was so bad, he had no tonal center whatsoever. One note would be flat, the next sharp. Pulling pitches up and down, whilst playing live made me realize, that there were days I wasn't grossly overpaid. 


Live Tee Vee extravaganzas like that are usually always bad, primarily because they are done so seldom.Opera on the other hand, goes like clockwork, because it's always live, as are huge orchestral concerts. You know you've reached some kind of pinnacle when you can step in and sight-read a concert, which I was called upon to do a few times, when emergencies arose in orchestras I was not a member of. But then, from the time I was a little kid, I knew I was going to play something. I guess I should tell you too, that Ludwig van Beethoven and I share the same birthday; little wonder, eh? 


I've heard Carrie Underwood sing; on Jimmie Fallon recently and she is an excellent singer. She hammed it up pretty good too. Opera singers also have to act. They do not just stand around and holler. They murder each other, commit incest and have wars. I love opera! xoxo



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